Landscapes of Future Era, Today
The Cliff, 2024
Digital painting Giclée print on Hahnemühle German Etching and Aluminium Frame
24" × 18" (609.6mm × 457.2mm)
Three centuries ago, King Louis XVI transformed Versailles into a symbol of opulence at the expense of the French population….That misprioritization led to the French Revolution which guillotined the monarchy and set the basis of bourgeois power. At the same time in England, the painter J.M.W. Turner captured the excitement and promising future of the Industrial Revolution in his visionary landscapes.
Today, Our Future Era Landscapes are dominated by pollution and increasingly dramatic weather conditions. This exhibition contrasts today’s grim realities—smog-filled skies—with the grandiosity of past indulgence. It challenges us to rethink our vision of nature and confront the impact of our commodities. The artworks explore a future where our environmental crises are as vivid as Turner’s landscapes, urging us to reconsider and reshape our relationship with nature or lose our heads too.
Sorry, was I too depressing? Oh, poor you… Here are some cute emojis. Happy Ending!
Your mail found me naked, 2024
Water Jet Cutting Aluminium on steel structures. Moskito lamp x2 with aluminium ornamets. Linoleum.
Skyscapes, 2024
Digital sketch (#1-25) Giclée print on Hahnemühle German Etching
#14
#25
#15
Plant #1, 2024
Fimo polymer clay
Away from Far, 2024, Water Jet Cutting Aluminium and Giclée print on Hahnemühle Photo Rag, 55.1" × 86.6" (1401mm × 2200mm)
Plant #2, 2024
Fimo polymer clay
Scroll #1 & Scroll #2, 2024
Digital paintings on Aluminium bars
Scroll #1-2
Scroll #1-1
I'm flattered, 2024
Digital Painting on Hand Cut Aluminium
Clement Greenberg said that figuration was flat and over.
I’m flattered, 2024
This piece challenges that statement and explores new surfaces and forms of figuration.